Over the last few years the world of DJ’ing has undergone something of a revolution.  Not long ago, it was a simple case of mastering the 1210’s to DJ, at least on the underground circuits.  These days, artists and performers are spoilt for choice about which direction to take their craft.  Do they stick with vinyl, do they invest in CD decks, or do they go for something off the wall like Ableton Live or Native Instruments Traktor?  

To add even more confusion to the situation there is hybrid technology such as Traktor Scratch and Serato.  These systems allow a DJ to mix MP3’s using normal turntables or CD decks but using special records or CD’s embedded with a timecode in place of normal records/CD’s.  So what are the advantages and disadvantages of each system and more importantly, if you’re struggling to decide which way to go, how should you spend your hard earned wedge?

It has to be said, that in the techno scene, many DJ’s are taking the more digital oriented route.  Ritchie Hawtin for example, now uses Traktor with dedicated MIDI controllers as opposed to routinely mixing vinyls or CD’s.  The software gives him four decks to control, all of which can be synchronised and manipulated with a host of looping techniques and effects (check out the videos on Youtube!).  Many others involved with the scene are avid performers with Ableton Live, a program that has taken the techno scene (and others) by storm.
 
Of course, there is the view that ‘using software takes the skill out of DJ’ing’ and I suppose this could be a valid point if someone wasn’t really pushing the boundaries. The fact is though, that in experienced and creative hands, there are so many more possibilities open to the artist that simply aren’t feasible using traditional DJ methods. Techno, by its definition, has always held connotations to futurism, and so doesn’t it make sense to embrace new technology and push it to the limits rather than shun away from it in favour of traditional methods?  The portability factor is also a big consideration.  Why lug around a heavy box of records when you can settle for carrying a laptop? Sounds ideal huh?  

Unfortunately though, it’s not quite that simple (it never is hehe) because in addition to the laptop you’ll need a relatively high-end multi-channel soundcard along with suitable control surfaces (unless you intend to DJ with a mouse, which frankly, isn’t a winner).  Also, you need to think about the practicalities!  Not every DJ booth will be accommodating to space absorbing laptops, soundcards, and MIDI controllers.  Not to mention how the manager or soundman of some clubs may feel about you disconnecting shit and plugging your gear into their expensive sound system! 

However, if you can overcome the initial minor problems then a whole new array of possibilities can be at your fingertips.  The fact that programs like Live and Traktor can remove the need for beat-matching is a bit controversial to some but the freedom this generates allows the performer to concentrate in making their set stand out.  Live, for example, can have multiple tracks of MIDI & audio, each with their own independent effects and all running in synchronisation.  Fancy remixing a track mid performance?  Then Ableton Live is your baby.   

On the other hand though, DJ’ing with vinyl (or CD’s depending on the deck) is loved because of the tactile control it offers which is something that only programs like Traktor Scratch can really rival but be aware of the extra hardware requirements these systems require.  If you do migrate to something like Traktor Scratch though, you’ll be able to use your decks and bring the digital and analogue world to a closeness that would otherwise be impossible.  

If all this sounds like too much hassle though, and all you want to do is mix, then it might be worth sticking with vinyl and maybe, just maybe, investigate the CD route further down the line.  Why CD’s too you ask?  A couple of reasons, one, because sometimes the turntables aren’t given the loving care they deserve and are neglected in favour of the new and shiny Pioneer CDJ 1000’s.  Badly setup or maintained kit could result in the sound quality of your set suffering which is obviously not what you want.  Secondly, vinyl is unfortunately more expensive than an MP3 and a blank disc. And of course, CD’s make it easy to play out your own material!

The bottom line though, is that the more methods of performance you can learn, and the more technology you can master, then the better off you’ll be in the future.  The fact that computers are now so powerful and software so sophisticated, really gives amazing opportunities to anyone who is willing to spend a bit of time exploring the potential on offer.